Deb Wenger

Mar 152012
 

You might think that this is yet another rant on how technology is putting pressure on journalists to publish more quickly and pushing what’s published out to more people, more easily than ever before.

But two things happened this week that made me think that we can’t do enough to remind journalists that accuracy has never been more challenging to ensure, and never more important.

First, a student journalist at my school reported a story inaccurately. Not so shocking, you say — after all it was a student , right?

Unfortunately, it was a story on a topic that was of interest to a much more widely read publication than our campus newspaper. That more widely read publication picked up the story and re-posted it online. Now, the inaccurate story has gone from a site with a few thousand readers to one with hundreds of thousands of readers.

Who’s at fault? The student? The faculty? The student newspaper editor? The editor of the big-time publication that picked up the story? Maybe all of the above?

What’s clear is that the systems to ensure accuracy broke down in this case, all along the line.

The second event was more high profile and has been documented by a former boss of mine, Forrest Carr. Carr is the news director at KGUN-TV in Tuscon, Ariz. His station was ground zero for an incident that garnered national attention last week.

On Thursday, a school shooting in Willcox was widely misreported in local, state and national media. Here is a sample of the various headlines appearing simultaneously on various Tucson, Phoenix, and national radio, TV and newspaper websites around 5:30 p.m. Thursday afternoon, which was more than two hours after the shooting:

1. “Willcox schools on lockdown following shooting”
2. “1 student shot, wounded at Willcox High”
3. “Willcox schools locked down after shooting… no one was injured”
4. “1 student shot, wounded at Arizona high school”
5. “Willcox lockdown ends; no student was shot, says superintendent”

And then there is this headline, from a national and well respected news organization’s website. I’m not totally clear on just when it first appeared but it was still live on the site’s national news page as of 12:30 p.m. Mountain time Friday afternoon, long past the point where most other media had changed their stories to show that although one student had been injured, no one had been shot:

6. “Ariz. student hit by bullet intended for man at ballgame”

So — Six headlines. Each mutually conflicting. Only one can be right. Which one, and how do you know?

Carr goes on to take readers behind the scenes in a TV newsroom, describing the chaos that occurs in a major breaking news story, but making no excuses for organizations that get it wrong. He describes what his station does to prevent errors, but notes that no newsroom is infallible.

However, his point about the inaccurate headlines is one that our text, Advancing the Story, has tried to impress upon student journalists since 2008. Just because the Web allows you to “take down” errors soon after they’re published, that doesn’t absolve a news organization of responsibility for disseminating inaccuracies.

The best news organizations have policies in place on how to correct errors that are published online. The San Francisco Chronicle/SFGate.com have one of the most highly regarded. ESPN has a policy that tries to promote transparency as well.

What about the news outlet you work for?

Of course, job one is to get it right in the first place. If you don’t, you have to do what you can to make it right for the audience by admitting the error and making an overt correction.

Sourced from: Advancing the Story

Mar 082012
 

News directors from around the country say Hearst Television deserves “the prize for best overall news” based solely on reputation. That’s according to a TVNewsCheck survey.

The station group garnered 29.9%, or 23 of the 77 votes cast. A clear second was Belo at 16.9% with 13. Scripps, Cox and Raycom followed with seven, six and five votes, respectively. Since the survey was anonymous, it’s unknown how much self-voting there was.

The survey also awarded a “booby prize” for news quality.

With 77 news directors also voting, Sinclair picked up 26 or 33.8%. The only other group with a substantial number of votes was Nexstar Broadcasting. Eighteen, or 23.4%, feel that its news deserves booby prize.

The findings are significant because, in about three months, thousands of journalism graduates will have no more excuses for delaying the job hunt.

So how much stock should job seekers put in a news company’s reputation? If you ask KGUN-TV reporter Jessica Chapin, it’s a bigger deal than she realized.

“When I was looking for my first job I wouldn’t have considered it that important,” writes Chapin via Facebook, “but after working for a few companies, now I think it needs to be a top priority. A corporate decision can have a big impact on a single employee.”

Still some say new graduates ought to focus on just getting hired.

“First job…I wouldn’t put too many stipulations on my choice. Later in you career….absolutely,” wrote former RTDNA chairman Mark Kraham.

However, the pithiest Facebook post in response to our question about the importance of company quality had to come from former WSOC-TV anchor, Bill Walker.

“Many Rupert Murdoch employees would say corporate reputation is very important.”

Good point.

Sourced from: Advancing the Story

 Tagged with:
Oct 182011
 

“Everyone should have a smartphone in the future; it’s baseline gear,” says Damon Kiesow, senior product manager at Boston.com. Speaking at the Excellence in Journalism convention in New Orleans, Kiesow said newsrooms have to get more “intentional and strategic” when it comes to mobile.

“It doesn’t work to just go buy 20 iPhones and tell the reporters to figure it out,” says Kiesow. “You need to know what you want to accomplish and provide training.”

Kiesow also says that journalists’ smartphones should have these features:

  • Both still & video cameras
  • An active developer community that keeps coming up with new apps
  • GPS capabilities
  • Wifi (4G much faster and better for sending video/photo — though iPhone 5 probably won’t have it)

He went on to talk about about dozens of apps and digital tools that he finds useful, including:

  • Audioboo — lets you record and share audio online with an embed code for your own site
  • AudioNote — allows you to sync your note taking and your audio recording, so you can search for the clip by clicking on a word in your notes
  • Zamzar — use to download clips from YouTube and other sites, then convert and save to many different file types

Here is Kiesow’s full list of what he says mobile journalists should know about. ”I call it Walmart journalism,” says Kiesow. “The gear is cheap enough that you can practically outfit a newsroom at Walmart.”

Sourced from: Advancing the Story

Aug 182011
 

The Murrow Award for writing “demonstrates excellence in writing that conveys the feeling and significance of events to the listener or viewer.” That’s the goal of great storytelling, isn’t it? To help make the news matter.

Last year’s national winner in the small market TV category was Jason Lamb of KTUU in Anchorage, AK. In this post, Lamb shares how he crafts his award-winning stories by spending more time than most with his video.

“It’s important to remember that the goal of any memorable story should be to get information across in a way that makes it easy for people to relate and connect to,” says Lamb. “Logging your tapes (or your cards or your disks) well is a crucial step in that process.”

For Lamb, “logging” is much more than registering the clip number or time code.

He has three key components to his approach:

1. Log as much of the video as time allows
Many less experienced reporters say they’re just too time-crunched to spend time logging, but even a few minutes can improve a story. “There is so much more of the raw footage to log than just the framed up ‘interview shots.’ I log as much as I can: interesting shots that I might want to write to, spontaneous moments with the person I’m interviewing, etc.,” Lamb says.

2. Log “the moments”
According to Lamb, a “moment” is something captured on camera that helps make people forget they are watching a “news report” and makes them feel closer to the story. “They help people relate to what your story is about. It could be the moment that a stem-cell recipient meets his donor for the first time, or a spontaneous reaction to a section of land being eaten away by a raging river. Moments help drive your story,” says Lamb.

3. Log “the layers”
Lamb says good stories have multiple levels or layers to them that keep the audience engaged throughout. “A different layer could be an interesting detail or added ‘twist’ you can introduce in your story at just the right moment to keep people interested,” Lamb says.

Check out one of Lamb’s stories below and check back later for Lamb’s tips on putting words and pictures together in the most compelling way.

Sourced from: Advancing the Story

Apr 292011
 

Many journalists already use their smartphones as news gathering and publishing tools, but Mark Briggs of KING5.com in Seattle and the blog Journalism 2.0 says mobile devices can do so much more.

“Few reporters use smartphones as a research device,” Briggs says–a missed opportunity, in his opinion, because smartphones are “location aware.”

As an example, Briggs described how he might use a smartphone as the “Internet in your pocket” to cover a hypothetical breaking news story involving the evacuation of a Las Vegas hotel.

What are Briggs’ three favorite mobile tools for journalism?

1. Twitter
2. Foursquare
3. Google Maps

“Not enough journalists are ‘mobile natives,’” says Briggs,”people who truly know how to use the device for information gathering, tapping into the power of everything you can access.”

SourcedFrom Sourced from: Advancing the Story

Apr 142011
 

What happens when a newsroom values diversity?Reporter Jessica Chapin of KGUN-TV in Tucson, Ariz., says it leads to better storytelling and better decision making.

“Tucson is an hour from the border, so diversity in the newsroom and Spanish as a second language is definitely a plus,” Chapin says. “I’m constantly doing interviews in broken Spanish (because I’m really not good at it yet!) and having producers or photographers translate for subtitles when I get back.”

Fortunately, says Chapin, her newsroom can bank on the expertise of a wide variety of backgrounds.

“We have several Hispanic reporters, two Native American producers, two Vietnamese reporters, and people from all religious backgrounds, as well as some extreme conservatives and liberals,” Chapin says.

She says that her news director, Forrest Carr, routinely assembles the newsroom to discuss ethical issues. ”I noticed that it makes for not only great conversation and debate, but also it helps hold our own reporting accountable,” Chapin says.”I think because we have so many different backgrounds, we get a lot of good perspectives.”

The value of diversity really hit home for Chapin this month.

“A photographer here at the station found himself in Mexico covering a 17-year-old who was shot to death by a Border Patrol agent,” Chapin said. “Martha, our producer, set up the interviews by using calling cards to Mexico and speaking in Spanish to the family members.”

“At the same time, I was covering a story about a jumping castle that blew away in a dust devil, injuring two children. Turns out, the families were both Iraqi refugees who only knew Arabic. Fortunately, we could call in our other producer to translate so we could run subtitles!” said Chapin.

For Chapin this is an excellent example of how diversity in a newsroom can truly be a benefit. ”You never know who or what cultural or language barriers you’ll encounter as a reporter,” says Chapin.

And she adds with a smile, there’s an app for that.

“I have a language translation app on my iPhone for such occasions as… well, just in case.”

SourcedFrom Sourced from: Advancing the Story

Aug 062010
 

Take a mobile phone and a broadcast quality microphone and the world is your storybook.

That’s what multimedia guru Stephen Quinn believes. Quinn, who teaches at Deakin University in Australia, shared a bit of his enthusiasm about mobile journalism at the World Jounalism Education Conference in South Africa.

Quinn calls mobile phones a “Swiss army knife” option for journalists.

“They’re compact, light and discreet,” Quinn said. “Using cell phones forces journalists to think differently. This new notion of mobility changes the way you perceive and operate in the world. It’s all about connection. Reporting involves thinking about how to find WiFi, you have to be thinking about battery power. And ourconcept of news is broadening – if I can get there, it’s news.”

Quinn says these new capabilities also change audience expectations.

“They know we can get there and expect to get the info,” Quinn says. Plus, he believes it will help us reach new audiences. ”Mojo appeals to different demos; it appeals to younger audiences.”

Quinn says mojo is part of a change in visual standards, too. He believes people become more accepting of low quality video, if the content is something they find compelling.

Quinn shared a list of free software programs that mojos can use in live reporting:

Quinn says his favorites are Qik and Bambuser for their ease of use. He also likes the relatively inexpensive tools created by Vericorder.

When it comes to its uses and limitations, Quinn says right now the technology has not evolved enough to make mojo useful for long-form journalism. However, Quinn says mojo is great for breaking news as evidenced by cell phone coverge of protests in Burma, elections in Iran, the Jakarta hotel bombings, Haiti quake and the Moscow subway bombings.

Still, Quinn urges journalists not to get all caught up in the “shiny.”

“Pocket journalism is powerful, but needs it still needs a brain behind it,” Quinn says.

SourcedFrom Sourced from: Advancing the Story

Jun 042010
 

Editor & Publisher has released its annual list of Eppy award finalists. The Eppy honors the best of the Web and it’s always interesting to see which local TV news sites make the list of nominees.

This year, as in the past, the list is short — only a very small percentage of nominees come from local TV. Even in the category of “Best Local TV/Cable-Affiliated Web Site,” just two traditional stations make the list:

KTKA.com, The World Company
• Super3 Club, DDRTV Internacional
WRAL.com, CBC New Media Group

TV, in general, is not well represented either — CNN and CBS MoneyWatch received several nominations, but these awards are clearly dominated by the print folks once again.

I hope this is a case of TV newsrooms simply not entering the competition, and maybe we’ll get ‘em next year.

[Editor's note from Deborah Potter:  We should add that NPR.org and ABCNews.com also have multiple nominations.  And that Msnbc.com is in the running along with CNN and ABC for best network/cable affiliated site. But what's most disheartening is the list of nominees for best use of video, which includes only one TV site, CBS MoneyWatch. Surely, TV should do better in that category! The Eppy awards will be presented later this month.]

SourcedFrom Sourced from: Advancing the Story

Jan 282010
 

Mobile map photo by larskflemFor a long time a lot of smart people have been talking about the need for news organizations to deliver more content to mobile devices, but most of time, the discussions are a little light on how the move will actually change the job of a journalist.

Writing for Poyner’s E-Media Tidbits, Steve Buttry offers some specifics:

Every journalist must quickly get serious and fluent with metadata, data about data (think of the story behind the story). This will feel scary and unreasonable at first. Even the term is a bit scary. But reporters and photographers have always gathered more information than we shared with readers.

Buttry says that location metadata is often critically important to mobile users, and journalists should not only be working with GPS-enabled phones and laptops, but also they should know how to “supplement and override automatic location information” in situations where a story involves more than one location or the auto-generated content is inaccurate.

Another critical skill, according to Buttry, is a firm grasp of tagging and how to do it well.

Where isn’t the only W we need to provide in the metadata. We need to tag content efficiently with the other relevant W’s: Who is pictured in this photo or video? What is happening? When did it happen? Sometimes why or how or how much will need to be in the tags as well, and some of those questions will need to be answered many times, for each person in a story, video or database or for each date in a narrative story.

Buttry says journalists will need to be trained in how to effectively tag stories and the software programs used will also need to be improved.

He goes on to write about the ways in which a “mobile first” strategy might be used to improve investigative reporting.

What seems most useful about this discussion is Buttry’s concrete suggestions for the knowledge and skills journalists will need to acquire to succeed on a new platform.

SourcedFrom Sourced from: Advancing the Story

Editor’s note: For more of Buttry’s advice on mobile-first journalism, see the strategy document on his blog.

Dec 042009
 

When I took a spin through the first 200 or so news apps on the Apple Web site earlier this year, WKRG in Mobile, Alabama, was the only local TV station featured. So, why is that? It may be that many local news organizations are not yet trying to capitalize on the mobile audience.

David Rencher, interactive media director for WKRG, a Media General-owned station, thinks that’s a mistake.

“Well,the way I see it is that we can’t just look at ourselves as a TV station,” Rencher said. “We are a content creators and we have to provide that content on whatever platform the user wishes to consume it.”

home_screenSo, Rencher went to work to find out how to reach the WKRG audience on their mobile phones.

“I first started to look into how to write native applications for the iPhone but after learning x-code and giving it a good deal of thought I decided that a web app would be a better delivery method for an information site such as ours,” Rencher said.”With a web app we could make the changes to our layout and structure immediately without going through an [Apple] approval process.”

The downside is that web apps are not available in the App Store, so Rencher developed an iPhone app that essentially loads the station’s web app automatically.

“Most users would never know it is not a full native iPhone app,” Rencher said.”Having complete control of the app and not having to wait on update approvals is important for a business like ours. The ability to make immediate changes allows us to react to breaking news and weather situations instantly.”

For instance, Rencher says in the case of hurricane coverage, the station could customize the app to predominantly display information related to that hurricane.

“During such events, like a hurricane, mobile phones may be the only way a user is able to get information,” Rencher noted.

Vice President/Managing Editor for the Associated Press Lou Ferrar is also targeting audience on the go. He recently shared what he called”the best stuff we know about mobile to tell the world right now.” In an online seminar for Poynter’s NewsU, Ferrar said that in the mobile space, the consumer really is king.

“If you don’t deliver for them, you don’t get them,” Ferrar said. He went on to describe what the AP has learned about the mobile news audience.

  • They’re impatient, so speed is crucial. That means no waiting for a slow app to load.
  • They’re vocal. They will readily share with others their dislike of a poor user experience.
  • They dislike ads, but they still want the content for free.
  • If you don’t deliver, they’ll drop your app and find another.

On the plus, side Ferrar said that 94% of iPhone users, in particular, seek out news and information on their phones. They’re particularly interested in breaking news and major stories – no surprise, and they also seem to have a strong interest in entertainment news.

While Ferrar understands why many small or medium-sized news organizations may not be developing their own apps, he also sees this as a great opportunity for a news organization to develop a niche application, say in high school sports coverage — then capitalize on that to become essential to the audience with a desire for that type of information.

Rencher saw the opportunity for his station and grabbed it.

“With over 30 million iPhones out there and and over a million Android/Google phones, it was a necessary step to provide a delivery platform for these types of mobile devices.”

SourcedFrom Sourced from: Advancing the Story

Nov 202009
 

marc-schollett-0021-300x225As more and more journalism professionals find themselves working both in front of and behind the camera, many are looking for suggestions on how to do it all well. Marc Schollett of TV7-4 in Traverse City, Michigan could be the poster child for this dilemma. Schollett not only shoots his own stories, he anchors three newscasts a day as well.

On AR&D consultant Bob Kaplitz’s blog, Scholett offers this advice to other multimedia journalists:

1.)Don’t think of your video as an afterthought. Good video might save a story, but poorly shot wallpaper video will certainly ruin one.

2.)Don’t complain about carrying gear. There are hundreds of darn good reporters out there who are carrying resumes right now who would kill to be carrying gear.

3.)Don’t forget what it’s like to be a viewer. See each day’s story as if you were watching it from home. Did you get the take home message across? Did you like video? Did it all make sense? Would you want to watch it again? Would you need too?

4.)Don’t rush the writing. That’s where real mistakes are made.

5.)Don’t use being a one man band as a crutch or an excuse. It’s the wave of the future and a great skill to have.

You might also want to check out Schollett’s advice for managing time as an MMJ – anyone who can physically survive anchoring three shows and turning a story every day has got to know something about time management, right?

SourcedFrom Sourced from: Advancing the Story

Nov 032009
 

Changed priorities CC photo credit babyCreativeRead this before it’s too late.

Tom Curley of the Associated Press and Rupert Murdoch of NewsCorp are putting those of us in the blogosphere on notice: Re-publish our content and we will make you pay.

According to an AP story, the two men made their comments addressing the World Media Summit in Beijing.

“The aggregators and plagiarists will soon have to pay a price for the co-opting of our content. But if we do not take advantage of the current movement toward paid content, it will be the content creators — the people in this hall — who will pay the ultimate price and the content kleptomaniacs who triumph,” the News Corp. chief executive said.

Curley spoke out about the AP’s new plan to track down people who use the organization’s material without permission. (Can you say RIAA anyone?)

The AP already plans to roll out a system, called a news registry, that will track its content online and detect unlicensed uses in ways that could help boost revenue for the not-for-profit news cooperative, which was founded in 1846, and its member newspapers. The system will be tested in six weeks by nine newspapers as well as a sports statistics provider run jointly by AP and News Corp.

The AP and its member newspapers contend that unauthorized use of their material is costing them tens of millions of dollars in potential advertising revenue at a time when they can least afford it.

It’s unclear whether a post such as this one and others on our site would be targets. We do our utmost to avoid plagiarizing by diligently sourcing our material, but certainly no one gave us permission to use the AP story that provided the basis for this discussion, so perhaps we are “content kleptomaniacs?”

But where does fair use play into all of this? And is this really the right move for content creators?

If most Web traffic comes to news sites through search engines these days, don’t the newsrooms need the search engines, too?

Of course, Curley and Murdoch are right that they are losing money and aggregators and bloggers are surely partly responsible; I’m just not sure this is the solution.

SourcedFrom Sourced from: Advancing the Story

 Tagged with:
Oct 232009
 

iphone CC photo credit busbongOne study estimates that as many as 70 percent of journalists now use social media to do their jobs–mainly to find sources and information quickly.

Chip Mahaney, director of digital content for Scripps TV stations, says that Twitter, Facebook and other social media tools can be used in three ways: 1) Newsgathering 2) Dissemination and 3) Engagement.

In terms of newsgathering, tools like Trendsmap.com allow you to do real-time mapping of Twitter trends in your area. Much of the time, it may be drivel, but in a breaking news situation, it could be invaluable. Facebook, for example, is often used as a means of finding friends or relatives of newsmakers or as a tool for finding people affected by a particular issue or development.

And though journalists are tweeting about the stories they themselves are covering, Mahaney thinks they could be doing more to capitalize on the content that Twitter provides.

“Twitter is open,” Mahaney said. “They are giving information away for free.”

Chip

He suggests that news organizations can create custom feeds for their sites on particular topics. For example, Mahaney believes TV stations should try to grab Twitter names like “Atlanta traffic” or “Houston weather.” If you can engage the audience on those topics and get them to contribute, think of how valuable those feeds would be in the case of a massive pile-up or a severe weather situation.

In addition, Mahaney feels news organizations and individual journalists could be doing more to engage their followers.

“Call out someone in a tweet,” Mahaney said. “Let one of your followers know you are following them or send a message to let that person know you’ve read what they’ve written.”

Mahaney says the trick to getting more people to follow you on Twitter is to follow them first, and he says another good engagement strategy is to re-tweet what someone has written.

And if you want to check out the impact of your own tweets, log on to TwitterCounter.com, which allows you to track your Twitter name’s effectiveness. Or you might try Twitazlyzer.com , which looks at how much junk versus real information your tweets provide.

“It’s a chance to see what kind of clout your Twitter name has,” Mahaney said. “It allows you to check on your brand.”

SourcedFrom Sourced from: Advancing the Story

Oct 212009
 

social mediaNew results from the RTNDA/Hofstra University study (pdf) show only 38% of TV and radio news directors say their staffs are “really on top of new technology and where they’re headed.” The rest have “a long way to go” (48%)or are “mostly winging it” (13.7%).

The study shows 99.1% of all TV stations surveyed have Web sites (93.1% of radio stations), and 97.7% of TV stations include local news on their sites (74.2% radio).

Looking specifically at TV, a vast majority (92.7%) of sites are airing video, but many fewer are airing newscasts, either live (33.9%) or recorded (30.6%). Interestingly, the Web publication of recorded newscasts dropped from a year ago while live newscasts increased, and there was more audio streamed online.

A little more than half the stations in the survey are producing blogs (55.6%) and just a fraction have the option to let users assemble their own newscasts (8.1%).

In terms of content, the survey says users want local news, local weather and local sports – no surprise, but entertainment news – a staple of many Web sites, is actually less of a driver than national news or bios of on air talent.

TV Web sites don’t have a lot of dedicated staff; they average 2.3 full-time employees and 3.7 part-timers. The study says, “Year after year, the percentage of news staffers who help on the Web continues to grow.” This year 59.7% of stations say “other staffers help on the Web” (up from 16% in 2001).

One of the reasons for the small staffs may be that fewer than a third (30.7%) of all TV stations report making money from the Web, and most of those are in large markets with the biggest staffs. Of the rest, 17.1% say they’re taking a loss online; others are breaking even or just don’t know. On the bright side, the profitability of TV Web sites is trending up.

SourcedFrom Sourced from: Advancing the Story

Oct 142009
 

Victor Hernandez-CNNMore than a year ago CNN announced it was hiring what they call “all-platform journalists” to expand their coverage in ten U.S. cities. So far, they’ve hired four.

Victor Hernandez, director of coverage, says it’s because they’ve had trouble finding people who meet all their criteria. Speaking to a crowd of broadcast journalists at an RTNDA workshop, Hernandez said he’s looking for people who exemplify four core attributes:

  • Strong editorially
  • Technically superior
  • On-air presence
  • Exceptional mindset

Hernandez says the mindset is most important of all. He wants their APJs to be platform agnostic.

“I want them to look at storytelling content and not be beholden to precedent and the way things have always been done,” Hernandez said.”It’s the ability to look at each story and figure out the best platform.”

The reporters they’ve hired so far are not working on “day turns,” rather they typically have several days to develop a single story. The goal, too, is to hire people with a unique style.

“It’s really the ‘anti-TV’ reporter in terms of look,” Hernandez said. “We want someone free-spirited, off-the-cuff, interactive.”

The APJs have to be very comfortable with digital technologies as well, says Hernandez; for example, he wants them to already know Final Cut Pro. Though they will get some training, they have to come in the door with tangible skills.

That’s because they’re going to need to work with an extensive multimedia toolkit and to feel comfortable trying out technological set-ups that may have never been used before — like the system CNN designed for getting high-resolution still photos back to the newsroom online and in just minutes.

CNN All Platform Gear:
-Sony Z1UHD camera (changing to EX1/EX3)
-Canon still camera
-Flip cam

-MacBook Pro
-Smart phones
-Air card
-Sat phones

Hernandez says the technological advances are making amazing things possible.

“Anderson Cooper was live for an entire week in Afghanistan through IPTV,” Hernandez said. “There was no traditional satellite equipment. We did it all through Skype and other internal apps. The quality was almost indistinguishable from what we see from a satellite, but the cost is about 1o percent.”

Hernandez hopes these new tools can help energize his own news operation, help journalists to think differently about what might be possible, even in tough economic times.

“I want us to get that start-up mentality,” Hernandez said. “You know, that ‘find the next thing or you won’t eat next week’ approach.”

SourcedFrom Sourced from: Advancing the Story

Oct 122009
 

WidelensFlip cams have proven their usefulness for certain types of newsgathering. The lack of an external mic creates challenges, but the video quality is quite high. However, the camera was not designed for getting sweeping, panoramic wide shots by any means.

As the saying goes, necessity is the mother of invention and photographer Russ Roca say he needs to have wide angle options on his cameras. So, he modified the Flip.

I bought a cheapie wide-angle lens adapter kit made for more sophisticated camcorders (the one I bought was made by Sunpak). The wide angle lens kit I bought came with a series of step-down rings. I took one of the rings and roughed it up with sandpaper (from a patch kit) and super glued it to the front of the Flip (be sure to glue it so you can still remove the battery cover!). This gave the front element some threads so I could screw on the wide angle lens!

Roca says the set up has the added benefit of mitigating the small camera shake as well. Check out the story he shot with his souped up Flip and thanks to Jeff Cutler for tipping us to this idea.

SourcedFrom Sourced from: Advancing the Story

Sep 292009
 

ITV-CNN CC photo credit by Las Valley 702How should online video be different from what we see on TV? New research from Interpret, LLC, looked at more than 2,000 broadband Internet users between the ages 13- 54 who had watched a video online in the past 24 hours.

Researchers found that most people watch online video during certain times of the day: 12 p.m. – 3 p.m. and 11 p.m. – 1 a.m.  The least amount of online viewing occurs during the dinner hour (6 p.m. – 9 p.m.). This information may have some implications for Web producers trying to decide when to post compelling video content. For example, a remote crew may have more incentive now to get video back to the newsroom before 3 p.m., in the hopes of capturing that early afternoon audience.

Also useful is the study’s model for measuring online video engagement– basically a method for judging the effectiveness of a video on the Web.

The new model for engagement is based on the following variables:

  • Completion of the video – Completion is a strong indicator of engagement because online videos are generally a self-selected experience where the viewer has to first decide to start watching a video and then decide to leave that page once they are done.
  • Attention to content – This variable refers to the amount of attention someone gives to a video experience, compared to the amount of attention they give to the other people or tasks in their environment at that moment. Attention paid is a strong indicator of passion and the potential opportunity to make an ad impression.
  • Actions taken – This variable refers to the actions viewers might have taken before, during, or after watching the streaming video (e.g. posting a comment, rating the video, sharing the video).

As newsrooms struggle to determine how much emphasis to put on Web video, as well as how to measure the success of its efforts, this model may provide another important measure beyond total number of views.

SourcedFrom Sourced from: Advancing the Story

Sep 242009
 

AARP Bulletin TodayOK, this is our second year of tracking this and the question still remains:  Why are local TV stations nowhere to be found on the list of Online Journalism Award nominees?  I mean really, when the AARP is winning more awards for great video than local TV stations, it may just be time to hang it up!

Take a look at the finalists for the category of  Online Video Journalism, Small Site:

In the large site category, things aren’t really any better, though at least ESPN is a television network:

So, what’s up with this?  I asked long-time photojournalist turned Web expert Rich Murphy.  Rich oversees the Web site for WTTG in Washington, DC.

“Could be that TV (web) journalists are still more used to the traditional awards and stick to what they know to enter,” Murphy said. “Most TV web sites are still reliant on re-purposing what is produced for the broadcast side.  Not many TV stations web producers have the time or freedom to go out in the field to do original reporting.”

Photojournalist and author of the News Videographer blog, Angela Grant says newspapers, in particular, may be trying harder online.

In the past few years newspapers freaked out because their print revenues were declining, and they decided to try to make up their losses using the Internet. So they pushed their employees to innovate online and to work hard to develop web skills. This caused newspaper web sites to get better and better. This caused newspaper reporters and photojournalists to experiment with online video, and by now they’ve had a good chunk of time to polish their skills. When they want to enter contests, they think immediately of online-  or Internet-focused contests.

What’s happening here?  Is it that TV stations aren’t entering or is it that they’re not creating unique and compelling online video?  Maybe a little of both?

SourcedFrom Sourced from: Advancing the Story

Aug 052009
 

CC photo credit szczur

Most solo journalists agree that doing it all on your own requires terrific time management skills. If you’re new on the job or just looking for a few new ideas, check these suggestions from other multimedia journalists.

Janie Porter, who works for WTSP-TV in the Tampa-St. Pete market, says you have to take help where you can get it.

Be resourceful – use those curious bystanders to your advantage.  Don’t shoo them away – enlist their help in recruiting interviews, getting directions, etc.

Victoria Lim, a freelance multimedia journalist who will soon be doing investigative reporting for Florida’s Bright House Sports Network, says you can increase your editing speed by shooting the right type of video.

Close ups close ups close ups.  These get you out of editing jams.  You can never shoot too many of these.

Darren Brown at News9 in Oklahoma City warns against using your video camera as “a giant notepad.”  Instead, you might try interviewing your subject off camera first, so you can ask some key questions and limit what you actually record.

For Jessi Chapin at WMBB-TV in Panama City, FL, a strategy of “backtiming the day” seems to work well.

I set mini-deadlines for myself. For instance, I have my interviews and b-roll done by a certain hour. (For the 10 o’clock, I know 8 p.m. is my drop dead time to be back at the station.)  I do the same for writing and editing.

And at a recent SPJ reporters’ workshop, we got several other great suggestions from participants.

  • Pack a lunch!  Make finding food one less thing you have to factor into your day.
  • Map your story.  Before you head out, determine the locations for your shoots so you can minimize backtracking and other delays.
  • Throw up a second or two of color bars on a video camera or start a new track on an audio recorder immediately after you hear a good sound bite.  That will make it easier to find when you’re logging.
  • Record any good ideas you have about framing the story or a good line of copy on your phone, voice mail or audio recorder – that way you won’t forget it while you’re tackling the rest of the story.

Feel free to share your good ideas, too – we’d love to see them posted in the comments.

SourcedFrom Sourced from: Advancing the Story