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TEAMWORK FOR BETTER STORYTELLING

How can you tell better stories on television? One way is to improve your teamwork from beginning to end. We gathered these tips at the 2005 Southwest Broadcast News Conference in Dallas.
  • Talk early. Reporters and photographers should come to the morning meeting to suggest story ideas and have some say in who they'll work with that day. If that's not possible, touch base with each other as soon as you are assigned. A reporter making calls on a story can benefit from a photographer's perspective. Photographers can help reporters think about the video they might need before leaving the station. An early conversation about the story could tip the photographer to bring special equipment for the shoot. Don't wait until you are in the car!

  • Watch the attitude. Attitude is contagious, says reporter Bob Hawman of KDFW. It's easy to let someone else's bad mood drag you down. So find a way to change the tone at the very start of the day. KDFW reporter Rebecca Aguilar says she gets to know each photographer she works with personally. "Get them in a good mood by talking about something they love," she says. "Show you care about them." Beyond that, says KDFW reporter Scott Sayres, "Don't treat the photographer like a caddy, but like a partner."

  • Have a plan. Before you get to the scene, talk about how you'd both like to see the story play out. How do you visualize it all coming together? What do you hope to see and hear in this story? If it's not the way you pictured it when you get to the scene, come up with a Plan B. Be sure to do this together, so you're both on the same page.

  • Communicate. Mind-reading only works in the movies. Photographers need to tell reporters when they've captured a perfect shot, and if they have a line in mind to go with it, they should share that too. Reporters need to tell photographers if there's a shot they definitely need to get a point across. Talk about what you'll use for opening and closing video--don't leave it to the editor to figure out later. On breaking news, when there's no time to screen the video, photographers should make sure reporters know exactly what they have to work with.

  • Help each other. Most photographers appreciate it when the reporter steps in to help put a wireless on the main character, or holds the shotgun wireless in the right place to get good nat sound. Reporters are thrilled when photographers share information they get from their best sources [yes, photographers do have sources, says Edgar Solis of KTVT]. Photographer Juan Renteria of WFAA says he tries to think like a reporter as well as a photographer. "I ask, what lines would I use here, if I use this image? What other shots do I need for a sequence? Everybody should think like each other, like a producer, to make the best story."

  • Follow up. After the story airs, talk about how it went. If there's something you would have liked to do differently, discuss it. Remember, this wasn't "my" story or "your" story but "our" story, so the conversation should focus on what "we" might have changed.


Page Last Updated
January 15, 2009
 

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