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TIPS FROM WAYNE FREEDMAN
KGO-TV reporter Wayne Freedman has been telling stories for
30 years, and for almost that long, he's been willing to tell
the rest of us how he does it. In his new book, It
Takes More than Good Looks To Succeed at TV News Reporting ,
Wayne shares some of his trade secrets. We're posting these
excerpts, with permission. |
“Sometimes I wonder why we call our work television news
‘stories’ when so many of us overlook the ‘story’
part. We get distracted by deadlines and details, and forget a basic
fundamental: stories have characters. It’s so simple. Events
happen to people. When you build stories around them, audiences
take a stake in those people and their situations. Let viewers see
a little of themselves, or someone they know. By using characters,
reporters can ground any story in the real world.”
“Find a person. Tell a story. Weave the facts of the news
inside it. See news events as daily dramas and the people within
them as role-players. When you look beyond a newsmaker’s function
and examine the individual instead, you can make almost anyone interesting,
from an embattled politician to an overworked detective, to a man
on the street, to a civil engineer with a clipboard.”
“Here’s a trade secret—with a proper beginning
and ending, the middle of a story will usually take care of itself.
You’ll always find it easier to write a piece if, before leaving
a location, you already know how it will start and finish. Think
of this as planning your entrance and exit routes.”
“When you use a sound bite to either open or close a piece,
pair it with a line of track. In an open, that line should precede
the sound bite and introduce the moment or character. If you close
with a sound bite, it should be stronger than any other words you
might write. In such cases, the written line it’s paired with
should signal the end of the story. Any trailing sound should amplify
or complete that thought, and then close the door on the piece.”
“Endings leave the lasting impressions. No matter how strong
the rest of your material may be, a weak ending guarantees a weak
piece.” |